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What is Philosophy? (French: Qu'est-ce que la philosophie ?) is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari.The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia (Volume 1: Anti-Oedipus (1972); Volume 2: A Thousand Plateaus 1980) and Kafka: Towards a Minority Literature (1975).
"The Philosophy of Composition" first appeared in Graham's American Monthly Magazine of Literature and Art, April 1846, Philadelphia "The Philosophy of Composition" is an 1846 essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well. He concludes that length, "unity of effect ...
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Philosophical analysis is any of various techniques, typically used by philosophers in the analytic tradition, in order to "break down" (i.e. analyze) philosophical issues. Arguably the most prominent of these techniques is the analysis of concepts , known as conceptual analysis .
Writing and Difference (French: L'écriture et la différence) is a book by the French philosopher Jacques Derrida. The work, which collects some of the early lectures and essays that established his fame, was published in 1967 alongside Of Grammatology and Speech and Phenomena .
Repetition, for Deleuze, can only describe a unique series of things or events. The Borges story, in which Pierre Menard reproduces the exact text of Miguel de Cervantes's Don Quixote, is a quintessential repetition: the repetition of Cervantes' work by Menard takes on a magical quality by virtue of its translation into a different time and ...
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
While The Logic of Sensation is sometimes viewed as a work of art history, Deleuze's wrote that the primary motivation for creating the work was to explore the philosophy of art. He also sought to explore the conceptualization of art beyond the representation of an image. The text was translated into English by Daniel W. Smith in 2003. [2]