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Bernard Howell Leach CH CBE (5 January 1887 – 6 May 1979) was a British studio potter and art teacher. [1] He is regarded as the "Father of British studio pottery". [2]
The Leach Pottery was founded in 1920 by Bernard Leach and Shoji Hamada in St Ives, Cornwall, in the United Kingdom. [ 1 ] The buildings grew from an old cow / tin-ore shed in the 19th century to a pottery in the 1920s with the addition of a two-storey cottage added on to the lower end of the pottery, followed by a completely separate cottage ...
Originally trained as a fine artist, Bernard Leach (1887–1979) established a style of pottery, the ethical pot, strongly influenced by Chinese, Korean, Japanese and medieval English forms. After briefly experimenting with earthenware , he turned to stoneware fired to high temperatures in large oil- or wood-burning kilns.
Its leading proponents were Bernard Leach and a more controversial group of post-war British studio potters. [1] They were theoretically opposed to the expressive pots or fine art pots of potters such as William Staite Murray, Lucie Rie and Hans Coper. [1] The ethical pot theory and style was popularized by Bernard Leach in A Potter's Book ...
Bernard Leach is credited with restarting craftsman pottery in Britain in 1920. One of his early students was Michael Cardew who, at 25, was looking for a suitable site for his own pottery and in 1926 rented the old pottery buildings. [3]
David Andrew Leach (7 May 1911 – 15 February 2005) was an English studio potter and the elder son of Bernard Leach and Muriel Hoyle Leach, Bernard's first wife. David Leach was born in Tokyo, Japan, where his father met Shoji Hamada, and came to England in 1920 for education at Dauntsey's School, Wiltshire. [1] He began an apprenticeship with ...
In 1998, De Waal published a monograph on Bernard Leach, with research collected while studying in Japan. [43] The book challenges the public understanding of Leach as the great and original interlocutor for Japan and the East as the 20th-century potter who translated the mystery of the East to audiences in the West.
Batterham worked in the tradition of Bernard Leach and Shoji Hamada, for whom the term ethical pot was later coined and whose approach was in turn rooted in the Japanese Mingei movement. The ideal of this movement was the anonymous craftsman who quickly and dynamically produces ceramics for everyday use and in this way creates art without ...