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Early New England Puritan funerary art conveys a practical attitude towards 17th-century mortality; death was an ever-present reality of life, [1] and their funerary traditions and grave art provide a unique insight into their views on death. The minimalist decoration and lack of embellishment of the early headstone designs reflect the British ...
Published in 1974, Western Attitudes Toward Death from the Middle Ages to the Present was French historian Philippe Ariès's first major publication on the subject of death. Ariès was well known for his work as a medievalist and a historian of the family , but the history of death was the subject of his work in his last decade of scholarly life.
The spread of Christianity throughout Europe introduced new attitudes towards death and the dead, and for the first time tombs were built in places of worship, that is churches. [12] The first medieval recumbent effigies ( gisants ) were produced in the 11th century, with the earliest surviving example being that of Rudolf of Rheinfelden (d ...
The Lester attitude death scale was developed in 1966 but not published until 1991 until its validity was established. [80] By measuring the general attitude towards death and also the inconsistencies with death attitudes, participants are scaled to their favorable value towards death. [80]
In mainland China and Taiwan, Japan, and Korea, the number 4 is often associated with death because the sound of the Chinese, Japanese, and Korean words for four and death are similar (for example, the sound sì in Chinese is the Sino-Korean number 4 (四), whereas sǐ is the word for death (死), and in Japanese "shi" is the number 4, whereas ...
Ageism is often connected to fears of death and disability- with avoiding, segregating, and rejecting older people functioning as a coping mechanism to avoid these concepts. [12] There is a large overlap between ageism and ableism , discrimination based on disability.
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Post-mortem photograph of Emperor Frederick III of Germany, 1888. Post-mortem photograph of Brazil's deposed emperor Pedro II, taken by Nadar, 1891.. The invention of the daguerreotype in 1839 made portraiture commonplace, as many of those who were unable to afford the commission of a painted portrait could afford to sit for a photography session.