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The Lovers (French: Les Amants (French pronunciation: [lez‿amɑ̃])) is a surrealist painting by René Magritte, made in Paris in 1928. It's the first in a series of four variations, and in the painting two people can be seen kissing passionately with their faces covered in a white cloth hiding their identities.
René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. [1]
René Magritte. Born: René François Ghislain Magritte 21 November 1898. ... Lovers II [28] 1928 National Gallery of Australia Oil on canvas 54 x 73 cm
The Lovers, a 1964 public sculpture by Lindsay Daen; The Lovers, a 1971 public sculpture by Mark di Suvero; The Lovers, an 1888 painting by Émile Friant; The Lovers (Giulio Romano), a 1525 painting by Giulio Romano; The Lovers, a c. 1510 painting attributed to Titian; The Lovers, two paintings by René Magritte
The Lovers (Magritte) M. The Meaning of Night (painting) ... Media in category "Paintings by René Magritte" The following 24 files are in this category, out of 24 ...
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
The Treachery of Images (French: La Trahison des Images) is a 1929 painting by Belgian surrealist painter René Magritte.It is also known as This Is Not a Pipe, [2] Ceci n'est pas une pipe [2] and The Wind and the Song. [3]
Not to Be Reproduced (La reproduction interdite, 1937) is a painting by the Belgian surrealist René Magritte. It is currently owned by the Museum Boijmans Van Beuningen in Rotterdam. [1] This painting was commissioned by poet and Magritte patron Edward James and is considered a portrait of James although James's face is not depicted.
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