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In musical notation, the different vertical positions of notes indicate different pitches. Play top: Play bottom: Pitch is a perceptual property that allows sounds to be ordered on a frequency-related scale, [1] or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. [2]
This continuum is known as pitch height. However pitch also varies in a circular fashion, known as pitch class: as one plays up a keyboard in semitone steps, C, C ♯, D, D ♯, E, F, F ♯, G, G ♯, A, A ♯ and B sound in succession, followed by C again, but one octave higher.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Pitch perception. During the listening process, each sound is analysed for a repeating pattern (orange arrows) and the results forwarded to the auditory cortex as a single pitch of a certain height (octave) and chroma (note name). Pitch is perceived as how "low" or "high" a sound is and represents the cyclic, repetitive nature of the vibrations ...
Pitch (music), the perceived frequency of sound including "definite pitch" and "indefinite pitch" Absolute pitch or "perfect pitch" Pitch class, a set of all pitches that are a whole number of octaves apart; Relative pitch, the ability to identify a given musical interval between two notes; Pitch accent, a form of accentuation in speech
Logarithmic plot of frequency in hertz versus pitch of a chromatic scale starting on middle C. Each subsequent note has a pitch equal to the frequency of the prior note's pitch multiplied by 12 √ 2. The base-2 logarithm of the above frequency–pitch relation conveniently results in a linear relationship with or :
Actual sound; primarily used with notated harmonics where the written pitch is also the sounding pitch sur la touche (Fr.) Sul tasto syncopation A disturbance or interruption of the regular flow of downbeat rhythm with emphasis on the sub-division or up-beat (e.g. in ragtime music)
According to Howard Gardner, [1] there is little dispute about the principal constituent elements of music, though experts differ on their precise definitions. Harold Owen bases his list on the qualities of sound: pitch, timbre, intensity, and duration [2] while John Castellini excludes duration. [3]