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Thunderstruck is a song by Australian hard rock band AC/DC, released as the lead single from their twelfth studio album The Razors Edge (1990). It peaked at No. 4 on the Australian ARIA Singles Chart, No. 1 in Finland, and No. 5 on the US "Billboard" Album Rock Tracks chart.
The Razors Edge is the twelfth studio album by Australian rock band AC/DC.Released on 24 September 1990, through Albert Productions/CBS Records International in Australasia and Atlantic Records in Europe, it was recorded in 1990 in Little Mountain Sound Studios in Vancouver, Canada, and was mixed and engineered by Mike Fraser and produced by Bruce Fairbairn.
Their most certified singles in the US are "Thunderstruck" (1990), "Back in Black" (1980), "Highway to Hell" (1979), and "You Shook Me All Night Long" (1980) – each have received Diamond, 7× Platinum, and 6× Platinum and from the Recording Industry Association of America (RIAA) in 2024, respectively. [8]
Iron Man 2 is a soundtrack album for the 2010 film of the same name consisting of music by Australian hard rock band AC/DC.It was released on April 19, 2010. Iron Man 2: Original Motion Picture Score, a separate film score album featuring music composed by John Debney, was released on July 20, 2010.
Thunderstruck may refer to: "Thunderstruck" (song), a 1990 song by AC/DC Thunderstruck, a 2004 Australian film; Thunderstruck, a 2006 book by Erik Larson; Thunderstruck, a 2012 American film
T.N.T. contains some of the band's best-known songs, including the title track, "It's a Long Way to the Top", "The Jack", and "Rocker." Seven of the album's nine songs were written by the Young brothers and Scott, while "Can I Sit Next to You Girl" predated Scott's involvement in the band, having previously been recorded as a single with former vocalist Dave Evans.
The song "Who Made Who" was written for the Stephen King movie Maximum Overdrive, whose theme was machines that came alive and began killing people.The lyrics explore the idea of the gadgets and devices created by mankind coming to rule over human beings instead of the other way around, the irony where humans become subservient to the technology they created.
A live version of the song recorded on the band's 1990–1991 Razors Edge World Tour appeared on AC/DC's 1992 live album, Live. [1] The song is one of AC/DC's biggest hits, breaking the top 40 on the Billboard Hot 100, (becoming the band's 1st top 40 hit on the Hot 100 since Back in Black in 1981) the UK Singles Charts, and the Australian ARIA ...