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"Force Ten" was released in the United States by Mercury Records as a 12" vinyl one-track promotional single in 1987. [1] It is the opening track of Rush's studio album Hold Your Fire, and the song later appear on compilation albums such as Chronicles, Retrospective II, The Spirit of Radio: Greatest Hits 1974-1987, Gold, Icon, and Sector 3. [10]
This represented a significant change in Rush's sound, as the strained "shrieking high range" of Lee's vocals were characteristic of the band's style from the 1970s. [17] McDonald states that the song's last verse featuring Lee's high-pitched vocals is a "farewell to Rush's early style". [17] The song increases in complexity as it progresses. [18]
Neil's original handwritten lyric sheet survives. [37] "The Spirit of Radio" Permanent Waves: 1980 Inspired by a slogan of Toronto radio station CFNY, which was the first station to play a Rush song over the air. [38] "Freewill" Permanent Waves: 1980 "[Musically], the song is a new thing for us in terms of time signatures. [The piece is mostly ...
"Spindrift" is a song by the Canadian progressive rock band Rush. It was released on their 2007 album Snakes & Arrows . Although it was released as the second single from the album, the song failed to debut on any commercial chart.
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. [7] [8] The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
"Lock and Key" is a song written, produced and performed by Canadian rock band Rush. It is a promotional single from their twelfth studio album, Hold Your Fire.The song deals with the theme of every human being’s primal, violent instincts underneath their civil appearance - their “killer instinct”.
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"Bastille Day" is a song by the Canadian rock band Rush, and is the opening track from their third album, Caress of Steel. [7] Like most Rush songs, the music was written by Geddy Lee and Alex Lifeson, and the lyrics by Neil Peart.
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