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This is an inside look at a taxidermist Amber Maykut's workshop -- she explains why the art of taxidermy is beautiful, not something to be scared of. This taxidermist believes most people's ...
Necrophobia is a specific phobia, the irrational fear of dead organisms (e.g., corpses) as well as things associated with death (e.g., coffins, tombstones, funerals, cemeteries). With all types of emotions, obsession with death becomes evident in both fascination and objectification. [1]
This is an inside look at a taxidermist's workshop. She explains why the art of taxidermy is beautiful, not something to be scared of. Find out more on this week's episode of Odd Jobs!
The English suffixes -phobia, -phobic, -phobe (from Greek φόβος phobos, "fear") occur in technical usage in psychiatry to construct words that describe irrational, abnormal, unwarranted, persistent, or disabling fear as a mental disorder (e.g. agoraphobia), in chemistry to describe chemical aversions (e.g. hydrophobic), in biology to describe organisms that dislike certain conditions (e.g ...
Taxidermy is the art of preserving an animal's body by mounting (over an armature) or stuffing, for the purpose of display or study. Animals are often, but not always ...
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
Polly Morgan was born in Banbury, Oxfordshire England in 1980, [5] and grew up in the Cotswolds on her family farm, and mentions a lack of squeamishness about death as well as being comfortable with the practice of dealing with the corpses of animals. [6]
The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam.