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"Scared to Live" is a song by the Canadian singer-songwriter the Weeknd from his fourth studio album After Hours. [1] He performed the song for the first time on March 8, 2020, with American musician Oneohtrix Point Never , during an episode of Saturday Night Live . [ 2 ]
"Scared" begins with the sound of a howling wolf before settling into its brooding musical setting. [1] [5] [6] Urish and Bielen feel that the guitar notes that form a counterpoint to the song's melody are based on the opening howling wolf sound. [7] The music includes overdubbed strings and horns. [5]
"Scared to Be Lonely" is a song recorded by Dutch DJ Martin Garrix and English and Albanian singer Dua Lipa. It was written by Giorgio Tuinfort , Nathaniel Campany, Kyle Shearer, and Georgia Ku , while the production was handled by Tuinfort, Valley Girl, and Lorna Blackwood.
And sometimes it just comes down to the melody. This was the fastest melody that I ever made — I went into a room for 20 minutes and wrote the entire song, and then Max produced it". [4] The song was first previewed in a teaser video posted to the Weeknd's Twitter account on March 19, 2020. [5]
The lyrics to the song, difficult to hear since the vocals were mixed very low, describe subjective dissociation, as if from intravenous drug injection. The song features a sudden divergence near the two minute fifteen second mark into a psychedelic jam of sorts, with Mick Jagger 's vocals electronically distorted and phased, and the guitar ...
Right now, Lalgee said, many companies are struggling to gain loyalty from employees. In the recruitment universe, he said, he hears comments all the time about how many younger people don’t ...
"Come to Life" is a song by American rapper Kanye West from his tenth studio album, Donda (2021). The song features overlapping pianos and guitar chords, as well as a sample of David Paul Moten's sermon. The lyrics allude to the emotional fallout from West's divorce, while showcasing themes of liberation and God.
Singer and songwriter Willie Mae “Big Mama” Thornton actually deserves that recognition, though Presley's recording overshadowed her initial success with the song. The rhythm and blues performer also wrote and recorded “Ball 'n' Chain” in 1961 which was later recorded by Janis Joplin, University of Washington music history professor ...
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