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The manual for the popular sound program SoX advised that the "reverse" option could be used "for finding Satanic subliminals". WWE wrestler Al Snow had a theme song that had backmasking in it. The song was mostly instrumental, but at one point a clearly audible voice can be heard saying a line of gibberish.
Reverse speech is a pseudoscientific topic [1] [2] [3] first advocated by David John Oates which gained publicity when it was mentioned on Art Bell's nightly Coast to Coast AM radio talk show. [4] It is based upon the theory that during spoken language production , human speakers subconsciously produce hidden messages that give insights into ...
"Get out of my mind." During the backwards solo. [88] Roy Wood "Under Fire" "I'm under fire, fire and I'll never get out." Heard at the end of the song. Akira Yamaoka "The Reverse Will" "Now I lay me down to sleep" / "I pray the Lord my soul to keep" / "If I should die before I wake" / "I pray the Lord my soul to take" [89] "Weird Al" Yankovic
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The trait of backward speech is described as an ability to spontaneously and accurately reverse words. Two strategies of word reversal were reported: reversal according to the phonetic structure of the words or reversal according to their spelling. [1]
Phonetic reversal is the process of reversing the phonemes or phones of a word or phrase.When the reversal is identical to the original, the word or phrase is called a phonetic palindrome.
A similar effect is a "voice crack", during which a person's voice suddenly and unintentionally enters a higher register (usually falsetto) for a brief period of time. This may be caused by singing or talking at a pitch outside the person's natural vocal range , stress, fatigue, emotional tension, or the physical changes associated with puberty.
Reverse reverb is commonly used in shoegaze, particularly by such bands as My Bloody Valentine and Spacemen 3. It is also often used as a lead-in to vocal passages in hardstyle music, and various forms of EDM and pop music. The reverse reverb is applied to the first word or syllable of the vocal for a build-up effect or other-worldly sound.