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Pure tone, a tone with a sinusoidal waveform; Reciting tone, such as Psalm tone and recitative, as in Gregorian chants; Tonality, a system of music based on a key "center", or tonic; Tone control, a (typically electronic) control for affecting frequency content of an audio signal; Whole tone, or major second, a commonly occurring musical interval
The tone pattern of one line must be the inverse of the other. This generally means if one character is of the level tone, its corresponding character on the other line must be of an oblique tone. The last character of the first line should be of an oblique tone, which forces the last character of the second line to be of a level tone.
] In general, the tone of a piece only refers to attitude of the author if writing is non-literary in nature. [ further explanation needed ] [ 13 ] In many cases, the tone of a work may change and even clearly shift in a fundamental way as the speaker being described in a detached fashion (or the narrator being listened to) has his or her ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
A detached tone, or an opposite tone than the reader would expect, are sometimes purposely employed to elicit more of a response. In the opening lines of "The Love Song of J. Alfred Prufrock", T. S. Eliot quickly sets a certain tone, and then creates effect by juxtaposing it with a very different tone: Let us go then, you and I,
There are different types of lines artists may use, including, actual, implied, vertical, horizontal, diagonal and contour lines, which all have different functions. [3] Lines are also situational elements, requiring the viewer to have knowledge of the physical world in order to understand their flexibility, rigidity, synthetic nature, or life. [1]
A tone is produced either by mixing a color with gray, or by both tinting and shading. [1] Mixing a color with any neutral color (including black, gray, and white) reduces the chroma , or colorfulness , while the hue (the relative mixture of red, green, blue, etc., depending on the colorspace) remains unchanged.
In Europe, as John Ruskin said, [30] and Sir Kenneth Clark confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape is a normal and enduring part ...