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John Sterling "Jack" Pratt (1931–2020) was an American Army drum instructor at West Point as well as a celebrated rudimental book author. Pratt produced several volumes of rudimental solos and instructional materials and was also the founder of the International Association of Traditional Drummers (IATD), a member of the National Association of Rudimental Drummers (NARD), a member of the ...
The Blue Devils B Drum and Bugle Corps are an Open Class competitive junior drum and bugle corps based in Concord, California. The corps is a member of Drum Corps International and has grown from a feeder corps for the Blue Devils Drum and Bugle Corps to a full-fledged Drum Corps in its own right. The corps has won the DCI Open Class World ...
The Cavaliers Drum and Bugle Corps (also known as "The Green Machine") is a World Class competitive junior drum and bugle corps based in Rosemont, Illinois. [1] The Cavaliers were one of the thirteen founding member corps of Drum Corps International and is a seven-time DCI World Champion.
Inspired to play music by his three older brothers, Kevin, Richard and Rob, as well as his father, Jesse began playing guitar and drums when he was 6 years old. Solomon went on to play percussion in his school band and took a handful of guitar lessons before graduating high school and attending the Guitar Institute of Technology, a part of the ...
Smith received his first drum kit at age two and in 1963 he began taking formal lessons with local Boston area drum teacher Bill Flanagan, who played in big bands in the swing era. Smith got his first "real" drum set when he was 12 years old. On many nights, Steve could be heard practicing in a small shed in the back yard of his Harvard Street ...
He graduated in 1989 with a degree from MI's Percussion Institute of Technology. Luzier later returned as an instructor at Musicians Institute (1992–2001), where he taught rock-style drumming classes and gave private lessons. Luzier is well known for his work with David Lee Roth, for whom he played drums
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His configuration included a second hi-hat on his right side. He argued that the conventional way of playing the hi-hat with the right hand over the left was limiting. Additionally, having a 14” to the left and a 12” hi-hat to the right gave him two different pitches. In 1982, he settled for a five-piece drum kit with 10”, 12” and 14 ...
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