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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
The meaning of "relevance" in U.S. law is reflected in Rule 401 of the Federal Rules of Evidence. That rule defines relevance as "having any tendency to make the existence of any fact that is of consequence to the determinations of the action more probable or less probable than it would be without the evidence".
Chhayavad (Hindi: छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, [1] and was marked by an increase of romantic and humanist content.
Hindi literature is broadly divided into four prominent forms or styles, being Bhakti (devotional – Kabir, Raskhan); Śṛṇgār (beauty – Keshav, Bihari); Vīgāthā (epic); and Ādhunik (modern). Medieval Hindi literature is marked by the influence of Bhakti movement and the composition of long, epic poems.
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Raag Darbari is a satirical Hindi novel written by Sri Lal Sukla, published in 1968. [1] [2] He was awarded the Sahitya Academy Award, the highest Indian literary award, in 1969 for this novel. [3] The novel illustrates the failing values present in post-Independence Indian society. It exposes the helplessness of intellectuals in the face of a ...
Kamayani (Hindi : कामायनी) (1936) is a Hindi epic poem by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. [1]
Sachchidananda Hirananda Vatsyayan (7 March 1911 – 4 April 1987), popularly known by his pen name Agyeya (also transliterated Ajneya, meaning 'the unknowable'), was an Indian writer, poet, novelist, literary critic, journalist, translator and revolutionary in Hindi language. He pioneered modern trends in Hindi poetry, as well as in fiction ...