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Anne Murray recorded her first version on her 1970 album, Honey, Wheat and Laughter.In 1975, she recorded a different version of the song, produced by Tom Catalano. [1] The song reached #5 on the Canadian country chart, #6 on the U.S. Adult Contemporary chart, [2] and #13 on the Canadian Adult Contemporary chart in 1976.
"Here's a Quarter (Call Someone Who Cares)" is a song written and recorded by American country music artist Travis Tritt. It was released in May 1991 as the lead-off single to his album It's All About to Change. It peaked at number 2 in both the United States [1] and Canada. This is one of Tritt’s most popular songs.
"The Pill", written by Lorene Allen, Don McHan, T. D. Bayless, and Loretta Lynn, is a comic-tinged song about birth control.The song tells a story of a wife who is upset about her husband getting her pregnant year after year, but is now happy because she can control her own reproductive choices because she has "the pill" (which had been introduced in 1960).
It was the third single release of Coe's career and his first Top Ten hit, reaching a peak of number eight on the Billboard country singles charts. The song, over five minutes long, is known for its humorous self-description as "the perfect country and western song." On a WNEW-FM radio show, 1987. John Prine told his version of the story behind ...
"I Can Still Make Cheyenne" is a song written by Aaron Barker and Erv Woolsey, and recorded by American country music artist George Strait. It was released in August 1996 as the third single from Strait's album Blue Clear Sky. The song also appears on 50 Number Ones.
This cover, released with "She Loves the Jerk" on the B-side, charted at No. 1 on the country chart in late 1989. It was the fifth consecutive No. 1 hit from the album, as well as the fifth and final No. 1 of his career. [1] In 2017, the song was covered by Rhonda Vincent and Daryle Singletary for their duets album American Grandstand.
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"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...