Search results
Results from the WOW.Com Content Network
With Goudie opting to remain studio bound (and Mark Kerr leaving the band again), Simple Minds once again recruited Mel Gaynor as tour drummer. The live band was completed by the returning Eddie Duffy on bass guitar and by new keyboard player/programmer Andy Gillespie (of SoundControl).
Graffiti Soul is the fifteenth studio album (of original material) by Scottish rock band Simple Minds, released in May 2009.. On 31 May 2009, the album entered the UK Albums Chart at No. 10, becoming Simple Minds' first UK top ten album in 14 years, since the release of their 1995 album Good News from the Next World.
Simple Minds; Andy Wright; ... It was the first album since 2002's Cry without keyboardist Andy Gillespie, who left the band in early 2017. Longtime drummer Mel ...
Pages in category "Simple Minds members" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. B. Charlie Burchill; E.
James Kerr (born 9 July 1959) is a Scottish musician and lead singer of the rock band Simple Minds.Commercially successful singles released by Simple Minds include "Don't You (Forget About Me)", "Glittering Prize" (1982), "Someone Somewhere in Summertime" (1982), "Waterfront" (1983) and "Alive and Kicking" (1985), as well as the UK number one single "Belfast Child" (1989).
"In Every Heaven" [2010 Recording] (first recorded by Simple Minds in May 1982, this is the "lost" track from the New Gold Dream (81/82/83/84) sessions; finally recorded by Simple Minds in 2010 as an eight-minute epic initially planned to be released in May 2011 on the abandoned Greatest Hits + (3CD) compilation without actually having been ...
The discography of the Scottish art rock–new wave band Simple Minds consists of 21 studio albums (either original or covers and counting 1981's Sons and Fascination/Sister Feelings Call as a double album release), eleven live albums, ten compilation albums, fourteen box sets, 68 singles, and five video albums.
Andy Gill in The Independent found it "a welcome spring clean" and noted the folk influences. [8] David Quantick , writing for Classic Rock , described it as "a strange album, seeking as it does to homogenise the Minds’ ever-changing sound" but concluded that it was "a consistent collection", highlighting the Richard Hawley cover "Long Black ...