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This is an incomplete list of Flemish painters, with place and date of birth and death, sorted by patronymic, and grouped according to century of birth. It includes painters such as Rubens from (or mostly active in) the Southern Netherlands , which is approximately the area of modern Flanders and modern Wallonia.
Vanitas painting by Clara Peeters, c. 1610, deemed to be a self-portrait.. Clara Peeters (Dutch pronunciation: [ˈklaːraː ˈpeːtərs]; fl. 1607–1621) was a Flemish still-life painter from Antwerp who worked in both the Spanish Netherlands and Dutch Republic.
This is a non-diffusing subcategory of Category:Flemish painters (before 1830). It includes painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "Flemish women painters"
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
For the next century most art historians accepted that the painting was a double portrait of Giovanni di Arrigo Arnolfini and his wife Jeanne Cenami, but a chance discovery published in 1997 established that they were married in 1447, thirteen years after the date on the painting and six years after van Eyck's death. [14]
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is (especially in the Anglophone world) typically considered as a whole, as Early ...
Allegorical paintings by Flemish artists (11 P) * Early Netherlandish paintings (13 C, 8 P) Flemish Baroque paintings (6 C, 2 P)
Portrait of a Woman, Rogier van der Weyden, c. 1460. National Gallery of Art, Washington, D.C. Similarities can be seen in the sculpted features and expression of the model. [9] The girl has pale skin, almond and slightly oriental [5] eyes and a petulant mouth. [7]
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