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stained-glass windows were commonly used in churches for decorative and informative purposes. Many windows are donated to churches by members of the congregation as memorials of loved ones. For more on the use of stained glass to depict religious subjects, see Poor Man's Bible. Important examples
Understanding and interpreting the windows can be difficult in an era out of contact with medieval theology, teachings and sermons commenting on the Gothic cathedrals' stained glass windows. However, the presence of the famous 12th-century School of Chartres suggests that the precise placing of the windows had meaning for their designers.
The Panels of Chartres Cathedral Windows, Creation and the Good Samaritan, contain 24 stained-glass windows. Plates one through three depict shoemakers, the funders of the window. Panels four through twelve from bottom to top depict the Story of the Good Samaritan, and the other panels - thirteen to twenty-four - depict the Story of Creation.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
In 1949, the panels were acquired by Richard King and placed into storage until they were acquired in the late 1970s by the Hugh Lane Gallery for IR£20,000. [45] 1930 Mr. Gilhooley Based on a work of the same name by Liam O'Flaherty. It is the original panel from the Geneva Window, but a second panel was made due to a crack in the figure's ...
The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [ 21 ] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.
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