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For Suger, stained glass became a way to create a glowing, unworldly light ideal for religious reflection. [4] Suger described the finished work at Saint-Denis as "a circular string of chapels, by virtue of which the whole church would shine with the wonderful and uninterrupted light of most luminous windows, pervading the interior beauty". [ 3 ]
Stained glass windows were commonly used in churches for decorative and informative purposes. Many windows are donated to churches by members of the congregation as memorials of loved ones. For more on the use of stained glass to depict religious subjects, see Poor Man's Bible. Important examples
Osterrath is the family name of a stained glass workshop operating from Tilff, Belgium beginning in the final part of the 19th century. Their works were in the neo-Gothic style of the period and samples or their works can be seen in cathedrals in Liège, Belgium, and in many religious constructions in surrounding cities in Europe.
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
The Panels of Chartres Cathedral Windows, Creation and the Good Samaritan, contain 24 stained-glass windows. Plates one through three depict shoemakers, the funders of the window. Panels four through twelve from bottom to top depict the Story of the Good Samaritan, and the other panels - thirteen to twenty-four - depict the Story of Creation.
Between 1803 and 1837, the upper chapel was turned into a depository for the archives of the Palace of Justice next door. [12] The lower two meters (6 ft 7 in) of stained glass was removed to facilitate working light. Some of the glass was used to replace broken glass in other windows, and other panes were put on the market. [13]
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