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The Spartan shields' technical evolution and design evolved from bashing and shield wall tactics. They were of such great importance in the Spartan army that while losing a sword and a spear was an exception, to lose a shield was a sign of disgrace. Not only did a shield protect the user, but it also protected the whole phalanx formation.
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Young Spartans Exercising, also known as Young Spartans and as Young Spartan Girls Challenging Boys, [1] is an early oil on canvas painting by French impressionist artist Edgar Degas. The work depicts two groups of male and female Spartan youth exercising and challenging each other in some way.
The sculpture was part of a group, probably affixed to the sanctuary pediment. According to several scholars, it formed part of the memorial on the Spartan acropolis to honor Leonidas on his reburial. [3] Paul Cartledge, however, argued it would have represented a mythical hero or a god rather than the historical person of Leonidas. [4]:
Plato, in the middle of the fourth century, described women's curriculum in Sparta as consisting of gymnastics and mousike (music and arts). Plato praised Spartan women's ability when it came to philosophical discussion. [155] Most importantly, Spartan women had economic power because they controlled their own properties, and those of their ...
The Gymnopaedia was an annual festival celebrated exclusively in ancient Sparta, which helped to define Spartan identity. [1] [2] It featured generations of naked Spartan men participating in war dancing and choral singing, with a large emphasis placed on age and generational groups.
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The Bronze Statuettes of Athletic Spartan Girl are bronze figurines depicting a Spartan young woman wearing a short tunic in a presumably running pose. These statuettes are considered Spartan manufacture dating from the 6th century B.C., [1] and they were used as decorative attachments to ritual vessels as votive dedications, such as a cauldron, [2] suggested by the bronze rivet on their feet. [3]