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Randolph said the costume resembled her dress at her first husband's funeral. [51] After the wedding and mass, she went to her bedchamber and courtiers unpinned these garments, and her ladies put on her new costume. [52] There were three wedding rings, a gold ring with a rich diamond and red enamelling was perhaps the principal. [53]
Survey of historic costume: A history of Western dress (2nd ed.). New York: Fairchild Publications. ISBN 1-56367-003-8. Van Buren, Anne H. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: Morgan Library & Museum, 2011. ISBN 978-1-9048-3290-4
In the modern era, Scottish Highland dress can be worn casually, or worn as formal wear to white tie and black tie occasions, especially at ceilidhs and weddings. Just as the black tie dress code has increased in use in England for formal events which historically may have called for white tie, so too is the black tie version of Highland dress increasingly common.
An arisaid [1] [2] [3] (Scottish Gaelic: earasaid [4] or arasaid [4]) is a draped garment historically worn in Scotland in the 17th and 18th century (and probably earlier) as part of traditional female Highland dress. It was worn as a dress – a long, feminine version of the masculine belted plaid – or as an unbelted wrap.
The name comes from the Scottish Gaelic sgian-dubh, from sgian ('knife') and dubh ('black', also with the secondary meaning of 'hidden'. [2]). Although sgian is feminine, so that a modern Gael might refer to a black knife as sgian dhubh, the term for the ceremonial knife is a set-phrase containing a historical form with blocked lenition.
Male courtiers enjoyed wearing fancy-dress for festivities; the disastrous Bal des Ardents in 1393 in Paris is the most famous example. Men, as well as women, wore decorated and jewelled clothes; for the entry of the Queen of France into Paris in 1389, the Duke of Burgundy wore a velvet doublet embroidered with forty sheep and forty swans, each ...
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