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All-female Jewish rock/blues/jazz band from Jerusalem. 1985 John Zorn: Avant-garde composer and founder of Tzadik Records. 1987 Shlock Rock: Known for their Jewish-themed parodies of popular songs. 1991 Steve Lieberman: American Jewish outsider musician with elements of punk and metal. Also known as "The Gangsta Rabbi". 1992 Sam Glaser
The Milken Archive of Jewish Music is a collection of material about the history of Jewish Music in the United States.It contains roughly 700 recorded musical works, 800 hours of oral histories, 50,000 photographs and historical documents, an extensive collection of program notes and essays, and thousands of hours of video footage documenting recording sessions, interviews, and live performances.
Jewish rock is a form of contemporary Jewish religious music that is influenced by various forms of secular rock music.Pioneered by contemporary folk artists like Rabbi Shlomo Carlebach and the Diaspora Yeshiva Band, the genre gained popularity in the 1990s and 2000s with bands like Soulfarm, Blue Fringe, and Moshav Band that appealed to teens and college students, while artists like Matisyahu ...
There exists a long-standing and well-documented relationship between Jews and punk rock.This includes multiple prominent Jewish musicians, promoters, and label executives who were involved in the development of punk in the 1970s and 1980s, the continued presence of prominent Jewish artists and personalities in the genre in the modern era, a small but noteworthy punk rock scene in Israel, and ...
Jewish composers, musicians, and promoters had a prominent role in the transition from jazz and swing to doo-wop and rock 'n' roll in American popular music of the 1950s, [3] while Jewish businessmen founded many of the labels that recorded rhythm and blues during the height of the vocal group era.
In the words of Peter Gradenwitz, from this period onwards, the issue is "no longer the story of Jewish music, but the story of music by Jewish masters." [ 24 ] Jacques Offenbach (1819–1880), a leading composer of operetta in the 19th century, was the son of a cantor, and grew up steeped in traditional Jewish music.
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During the '60s and '70s the song was recorded by various international singers, including Harry Belafonte, Olivera Katarina, Nana Mouskouri, Daliah Lavi, Victor Jara and Quilapayún, Martin Simpson and Miriam Makeba.
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