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Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
The occult (from the Latin word occultus "clandestine, hidden, secret") is "knowledge of the hidden". [1] In common usage, occult refers to "knowledge of the paranormal", as opposed to "knowledge of the measurable", [2] usually referred to as science.
Aesthetics aims to explore questions relating to the natural world, beauty and art, and the intertwining of each. Therefore, in conjunction with metaphysical concepts, these two branches of philosophy explore the transformative and distinctiveness of art and what distinguishes something as art. These ideas highly conflicted with modern ...
Douglass, R. C. Metaphysical Bible Dictionary: An Interpretation of the Symbolical Meaning of Scripture Names. Kansas City: Unity School of Christianity. Holmes, Ernest (2010) New Thought Terms and Their Meanings: A Dictionary of the Terms and Commonly Used in Metaphysical and Psychological Study. Martino Publishing. Fillmore, Charles (1997).
Metaphysics is a branch of philosophy concerned with the fundamental nature of being and the world. Metaphysics may also refer to: Metaphysical art, a style of painting created by Giorgio de Chirico; Metaphysical poets, a type of poetry in 17th-century England; Metaphysics, one of the principal works of Aristotle
Akashic Records: (Akasha is a Sanskrit word meaning "sky", "space" or "aether") In the religion of theosophy and the philosophical school called anthroposophy, the Akashic records are a compendium of all universal events, thoughts, words, emotions and intent ever to have occurred in the past, present, or future in terms of all entities and life ...
Also called humanocentrism. The practice, conscious or otherwise, of regarding the existence and concerns of human beings as the central fact of the universe. This is similar, but not identical, to the practice of relating all that happens in the universe to the human experience. To clarify, the first position concludes that the fact of human existence is the point of universal existence; the ...
The early Greek concept of form precedes attested philosophical usage, and is represented by a number of words which mainly relate to vision, sight, and appearance. Plato uses these aspects of sight and appearance from the early Greek concept in his dialogues to explain his Forms, including the Form of the Good. The theory itself is contested ...