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Katsina tihu (Kokopol), probably late 19th century, Brooklyn Museum Hopi katsina figures (Hopi language: tithu or katsintithu), also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or katsinam, the immortal beings that bring rain, control other aspects of the natural world and society, and act as ...
Humans, horses, orangutans, and lions are among the few species of mammals that may grow their head hair or manes very long. Humans are believed to have lost their fur 2.5–3 million years ago as hominids when transitioning from a forest habitat to the open savanna, as an effect of natural selection, since this development made it possible to run fast and hunt animals close to the equator ...
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891. The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
[2] [3] Noblewomen in the Heian period had their hair styled in the subekarashi (垂髪) and amasogi styles. [further explanation needed] When a woman reached the age of 16, the hair around her ears would be cut shorter than the rest of her hair in a ceremony called binsogi (鬢削ぎ), resulting in short forelocks at the front and long hair at ...
La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508.
The pin curl is a staple of the pin-up style, as "women utilized pin curls for their main hair curling technique". [24] Originating in the 1920s from the "water-waving technique", the hair style of the 1940s consisted of a fuller, gentle curl. The drying technique consists of curling a damp piece of hair, from the end to the root and pin in place.
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The Studio – 1934 (oil and enamel on canvas, 5' 1/3" x 4' 1/4", collection of the Metropolitan Museum of Art) Two Girls Reading (Deux Enfants Lisant) – 1934, oil on canvas, University of Michigan Museum of Art [10] Jeune Fille Endormie – 1935; The Muse – 1935; Minotauromachy – 1935; Minotaur Moving – 1936