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The Grammy Award for Best Contemporary Instrumental Album (previously: Best Pop Instrumental Album) is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to recording artists for quality instrumental albums in the pop music genre.
Public domain music scores (720,000) and recordings (79,000), including some contemporary composers. International Music Score Library Project: Inventions of Note: popular music, technology: 50 Sheet music for popular songs and piano compositions, mostly 1890–1920. Lewis Music Library at MIT: Jean-Baptiste Lully Collection
In theory, any style of music is eligible for this category, but winning compositions are usually in the jazz or film score genres. The Grammy is awarded to the composer(s) of the music, not to the performing artist, except if the artist is also the composer. There have been several minor changes to the name of the award:
It was not presented from 1967 to 1984. The Grammy is awarded to the composer(s) and the librettist (if applicable) of a classical piece composed in the last 25 years, and released for the first time during the eligibility year. The performing artist, orchestra, ensemble, etc., do not receive a Grammy (except if the performer is also the composer).
Contemporary music in the 20th and 21st centuries has had both supporters and detractors. Theodor Adorno in the 20th century was a critic of much popular music. Others in the 21st century, such as Eugene W. Holland, have constructively proposed jazz improvisation as a socio-economic model, and Edward W. Sarath has constructively proposed jazz ...
Tim Brooks, album notes writer (Various Artists) The Bakersfield Sound: Country Music Capital Of The West, 1940–1974. Scott B. Bomar, album notes writer (Various Artists) The Missing Link: How Gus Haenschen Got Us From Joplin To Jazz And Shaped The Music Business. Colin Hancock, album notes writer (Various Artists) Out Of A Clear Blue Sky
Musical artist Literary work Author Comments Citations An Alien Heat, The Hollow Lands, and The End Of All Songs - Part 1: Spirits Burning & Michael Moorcock: The Dancers at the End of Time: Michael Moorcock: Three albums covering the three books of the trilogy. The Black Halo: Kamelot: Faust: Johann Wolfgang von Goethe
Musical literacy is the reading, writing, and playing of music, as well an understanding of cultural practice and historical and social contexts.. Music literacy and music education are frequently talked about relationally and causatively, however, they are not interchangeable terms, as complete musical literacy also concerns an understanding of the diverse practices involved in teaching music ...
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