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"Guantanamera" (pronounced [ɡwantanaˈmeɾa]; Spanish for 'The woman from Guantánamo') [1] is a Cuban patriotic song, which uses a poem by the Cuban poet José Martí for the lyrics. The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929 (although it is unclear when the first release as a record o
" Hasta Siempre, Comandante," ("Until Forever, Commander" in English) or simply " Hasta Siempre ", is a 1965 song by Cuban composer Carlos Puebla. The song's lyrics are a reply to revolutionary Che Guevara's farewell letter when he left Cuba, in order to foster revolution in the Congo and later Bolivia, [1] where he was captured and killed.
After "Guantanamera" was released they became the Daisies. [ 20 ] Another group known as the Sandpipers (or sometimes the Golden Sandpipers) sang for Golden Records , most notably the theme to Mighty Mouse , the version that is now the best known and perhaps the original (although some sources cite the Terrytooners with Mitch Miller and orchestra).
Could there be different lyrics to the same tune ? -- Beardo 05:13, 17 May 2006 (UTC) Naaaah, the Guantanamera is as popular and as flexible in Cuba (and elsewhere) as La Bamba is in Veracruz, Mexico and elsewhere. It is so simple in its musical structure that any set of 4-verse octosyllabic lyrics in Spanish can be adapted to it.
Simple Verses (Spanish: Versos sencillos) is a poetry collection by Cuban writer and independence hero José Martí.Published in October 1891, it was the last of Martí's works to be printed before his death in 1895. [1]
Guantanamera" (Spanish: "from Guantánamo [feminine]", thus "woman from Guantánamo") is perhaps the best known Cuban song and that country's most noted patriotic song. In 1966, a version by American vocal group The Sandpipers , based on an arrangement by Pete Seeger , became an international hit.
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The song charted for 18 consecutive weeks, leaving the chart in December 2019. Thanks to the success of the collaboration, his song "Guantanamera" peaked at number 69 and spent 3 weeks on the chart. [11] Lafuente became extremely popular and performed in several national festivals throughout the year in Valladolid and Galicia.