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German original edition, 1851. Parerga and Paralipomena (Greek for "Appendices" and "Omissions", respectively; German: Parerga und Paralipomena) is a collection of philosophical reflections by Arthur Schopenhauer published in 1851. [1]
Vanity is the excessive belief in one's own abilities or attractiveness to others. Prior to the 14th century, it did not have such narcissistic undertones, and merely meant futility . [ 1 ]
It is neither existence, nor nonexistence, neither different nor identical. [ 73 ] This "existence of nonexistence" definition of emptiness can also be seen in Asaṅga's Abhidharmasamuccaya where he states that emptiness is "the non-existence of the self, and the existence of the no-self."
The existence of the universe is the result, ... Even he who recognizes the vanity of life best serves the highest aims by giving himself up to the illusion, and ...
For Mainländer, such a communist state represents the penultimate step of the will to death's metanarrative, where the satiation of all human desires leads to an understanding of the vanity and emptiness of existence (specifically, that the pleasures this satiation brings does not outweigh the negative value of existence), thus beginning a ...
This question has been written about by philosophers since at least the ancient Parmenides (c. 515 BC). [1] [2]"Why is there anything at all?" or "Why is there something rather than nothing?" is a question about the reason for basic existence which has been raised or commented on by a range of philosophers and physicists, including Gottfried Wilhelm Leibniz, [3] Ludwig Wittgenstein, [4] and ...
His title sets it out clearly: Memoir of the Thoughts and Feelings of Jean Meslier; and so does his subtitle: Clear and Evident Demonstrations of the Vanity and Falsity of All the Religions of the World. The book appeared in 1729, after his death. Meslier had spent the greater part of his life working on it. The history of true atheism had begun.
The text addresses Jesus as joy and support, versus enemies and the vanity of existence. The poetry is bar form , with irregular lines from 5 to 8 syllables. The melody repeats the first line as the last, framing each of the six stanzas.