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The entire Darwaza is made up of red sandstone with white colored marbles inlaid on the exterior walls. [6] There is extensive Arabic calligraphy on the walls of the Darwaza. The arches are horseshoe shaped, [4] the first time such arches were used in India. The façade has pre-Turkish carvings and patterns. [2] The windows have marble lattices.
Sněžník marble (sněžníkovský mramor) from Horní Morava, Ústí nad Orlicí District: light-coloured; Supíkovice marble (supíkovický mramor) from Supíkovice, Jeseník District: grey-white; Marble mis-nomers: Cetechovice marble (cetechovický mramor) from Cetechovice, Kroměříž District: coloured [c]
Carrara marble, or Luna marble (marmor lunense) to the Romans, is a type of white or blue-grey marble popular for use in sculpture and building decor. It has been quarried since Roman times in the mountains just outside the city of Carrara in the province of Massa and Carrara in the Lunigiana , the northernmost tip of modern-day Tuscany , Italy.
Sivec®, or Bianco Sivec, is the registered name for this fine-grained white dolomitic marble. Nowadays, Sivec has been selected to give the characteristic, exclusive white appearance in many large well-known projects including hotels, palaces, commercial buildings, etc.
Sylacauga marble, also commonly known as Alabama marble, is a marble that is found in a belt running through Talladega County, Alabama. [1] It is prized for its pure white color and its crystalline structure. The stone is named after the town of Sylacauga, Alabama, which is sometimes called "the Marble City". [2]
Marble is a rock composed of calcium and magnesium carbonate, mostly white and pink. [1] Common marble varieties are granular limestone or dolomite . The hardness of marble is very high, because the internal structure of the rock is very uniform after long-term natural aging, and the internal stress disappears, so the marble will not be ...
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Bronze at Tate Britain. An Athlete Wrestling with a Python was the first of three bronze sculptures produced by the British artist Frederic Leighton.Completed in 1877, the sculpture was a departure for Leighton, and heralded the advent of a new movement, New Sculpture, taking a realistic approach to classical models.