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J.M.W. Turner, Self-portrait, c. 1799 This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851), [ 1 ] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.
The Dort, or Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed is an 1818 painting by J. M. W. Turner, based on drawings made by him in mid September 1817. [1] It shows a view of the harbour of Dordrecht. It is the finest example of the influence of Dutch marine painting on Turner's work. [2]
The catalogue holds records of over 40,000 works by Turner; Works by J. M. W. Turner at Project Gutenberg; Works by or about J. M. W. Turner at the Internet Archive; A Brief History of Abstract Art with Turner, Mondrian and More "Turner's Whaling Pictures", The Metropolitan Museum of Art Bulletin, v. 73, no. 4 (Spring, 2016) Johnson, Ken (3 ...
Landscape with Lake and Fallen Tree (J. M. W. Turner) Landscape with Windmill and Rainbow (J. M. W. Turner) Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis; Limekiln at Coalbrookdale (J. M. W. Turner) London from Greenwich Park
Paintings by J. M. W. Turner (72 P) T. Turner Prize (1 C, 12 P) Pages in category "J. M. W. Turner" The following 13 pages are in this category, out of 13 total.
Venice: The Dogana and San Giorgio Maggiore is an 1834 landscape painting by the British artist J. M. W. Turner. [1] It depicts a view of the Punta della Dogana, a customs house, and the San Giorgio Maggiore church in Venice. It was exhibited at the Royal Academy's Summer Exhibition in 1834. [2]
War. The Exile and the Rock Limpet. War. The Exile and the Rock Limpet is an oil painting of 1842 by the English Romantic painter J. M. W. Turner (1775–1851). Intended to be a companion piece to Turner's Peace - Burial at Sea, War is a painting that depicts a moment from Napoleon Bonaparte's exile at Saint Helena.
The Field of Waterloo is an 1818 history painting by the English artist J. M. W. Turner. It portrays the aftermath of the Battle of Waterloo which took place on 18 June 1815. Rather than the triumphal depictions commonplace in portrayals of the battle, it functions more as an elegy to Waterloo's unknown victims.