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Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.
the Canon is famously difficult to pin to a timeline, so I'll just add Pachelbel's lifespan. "Pachelbel's Canon, a musical composition by Johann Pachelbel" sounds incredibly awkward. Drop the "musical"—in fact, I would just say something like "Johann Pachelbel wrote his Canon in D in the mid-Baroque.... and it has since been...". See what you ...
In 2012, the UK-based Co-Operative Funeralcare compiled a list of the most popular, classical, contemporary and religious music across 30,000 funerals. Canon in D placed second on the Classical chart, behind Edward Elgar's "Nimrod". [4] The Trans-Siberian Orchestra's 1998 song "Christmas Canon" is a "take" on Pachelbel's Canon. [31]
Magnificat fugue septimi toni No. 3 (C minor) 339: 178: 254: 228 Magnificat fugue septimi toni No. 4 (C minor) 340: 179: 283: 229 Magnificat fugue septimi toni No. 5 (C minor) 341: 180: 284: 230 Magnificat fugue septimi toni No. 6 (C minor) 342: 181: 285: 231 Magnificat fugue septimi toni No. 7 (C minor) 343: 182: 286: 232 Magnificat fugue ...
The new version enhances the basis of the original's chord progression in Pachelbel's Canon, bringing the theme to the forefront at the opening of the song. [16] [1] In addition to the Canon elements, it included a new introduction which Lowe later said "does sound surprisingly like the former Soviet anthem". [17]
George Frideric Handel: second movement of his Organ Concerto in G minor, Op. 7, No. 5, HWV 310, is a set of variations on Pachelbel's Canon; George Rochberg: a movement from String Quartet No. 6 is a set of variations on Pachelbel's Canon; Graham Waterhouse: Variations on a Theme by Pachelbel, Op. 6 (organ)
In spite of the song's title, it is not a blues but rather a folk song that uses the same chord pattern as Pachelbel's Canon. [1] Dylan scholar and musicologist Eyolf Ostrem notes that "[m]usically, it is a close cousin of "'Cross the Green Mountain" with which it shares the ever-descending bass line and some of the chord shadings that never manage to decide whether they're major or minor (and ...
"Isn't Life Strange" is one of the Moody Blues' longer songs, lasting for over six minutes. Its melody was based on Pachelbel's Canon In D. [3] The song begins with instrumentation on flute and harmonium, a combination that Classic Rock critic Malcolm Dome described as "haunting". [3]