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A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
Dante's Inferno is a series of six comic books based on the same video game. Published by WildStorm from December 2009 through May 2010, the series was written by Christos Gage with art by Diego Latorre. [116] Dante's Inferno: An Animated Epic is a direct-to-DVD animated film released on February 9, 2010. The film is also a spin-off from Dante ...
Dante's use of real characters, according to Dorothy Sayers in her introduction to her translation of the Inferno, allows Dante the freedom of not having to involve the reader in description, and allows him to "[make] room in his poem for the discussion of a great many subjects of the utmost importance, thus widening its range and increasing ...
Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy.It is followed by Purgatorio and Paradiso.
" Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno. The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it. Modern commentators on the Inferno view it as some kind of demonic invocation to Satan. [1] [2]
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The Malebranche (Italian: [ˌmaleˈbraŋke]; "Evil Claws") [1] are the demons in the Inferno of Dante's Divine Comedy who guard Bolgia Five of the Eighth Circle . They figure in Cantos XXI, XXII, and XXIII. Vulgar and quarrelsome, their duty is to force the corrupt politicians to stay under the surface of a boiling lake of pitch.
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