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"The Beggar Maid" in The New Yorker, 27 June 1977; [9] in Who Do You Think You Are?, 1978; in 78: Best Canadian Stories, 9–42; in Best Canadian Short Stories (1981), 96–121. [8] (republished in 2006/ 2008) "The Children Stay" in The New Yorker, 22 December 1997, Extended summary, in The Love of a Good Woman, 1998 (republished in 2003, 2011 ...
Mrs. Mooney looks forward to her confrontation, which she intends to "win" by defending her daughter's honor and convincing Mr. Doran to offer his hand in marriage. Waiting for the time to pass, Mrs. Mooney figures the odds are in her favor, considering that Mr. Doran, who has worked for a wine merchant for thirteen years and garnered much ...
Marriage was often the primary way for women to gain independence, as under English law, unmarried women were legally under the control of their fathers or other male relatives. [5] However, in an era where the number of women exceeded that of men, [ 6 ] finding an acceptable suitor, [ note 1 ] [ 6 ] could become a significant concern.
The post The 25 Best, Most Iconic Short Stories of All Time appeared first on Reader's Digest. Indisputable proof that good things come in small packages! These powerful short stories will stay ...
Moore's short story collections are Self-Help (1985), Like Life, the New York Times bestseller Birds of America, and Bark.She has contributed to The Paris Review.Her first story to appear in The New Yorker, "You're Ugly, Too," was later included in The Best American Short Stories of the Century, edited by John Updike.
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"The Dead" is the final short story in the 1914 collection Dubliners by James Joyce. It is by far the longest story in the collection and, at 15,952 words, is almost long enough to be described as a novella. The story deals with themes of love and loss, as well as raising questions about the nature of the Irish identity.
Groff Conklin called Someone Like You "certainly the most distinguished book of short stories of 1953 ... all superb". [9] Anthony Boucher and J. Francis McComas praised the collection's "subtly devastating murder stories [as well as] two biting science-fantasties, plus a few unclassifiable gems" and concluded the volume "belong[ed] on your shelves somewhere in the Beerbohm/Collier/Saki section".