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Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality. Caesura–A metrical pause or break in a verse where one phrase ends and another phrase begins. Enjambment–The continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
Quotation marks for emphasis of a single word or phrase are incorrect, and "scare quotes" are discouraged. Quotation marks are to show that you are using the correct word as quoted from the original source. For example: His tombstone was inscribed with the name "Aaron" instead of the spelling he used during his life.
Quotation marks may also be used for shorter material to avoid confusion, such as when italics are already heavily used in the page for another purpose (e.g., for many non-English words and phrases). Mentioning (to discuss grammar, wording, punctuation, etc.) is different from quoting (in which something is usually expressed on behalf of a ...
Quotations must always be clearly identified as such using double quotation marks ("quoted text") for quotations shorter than about 40 words. For quotations longer than 40 words, use the HTML tag <blockquote>like this around quoted material</blockquote> or the template {}, which has optional parameters to include citations. Both of these ...
All quotations should be cited, either with an appropriate reference tab or citation template, or with a simple parenthetical, like "(lines 31–35)" at the end of the quoted text. For discussion of how to format or present scansion, the rhythmic and metrical analysis of verse, see the section on Scansion below.
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"The Husband's Message" is an anonymous Old English poem, 53 lines long [1] and found only on folio 123 of the Exeter Book.The poem is cast as the private address of an unknown first-person speaker to a wife, challenging the reader to discover the speaker's identity and the nature of the conversation, the mystery of which is enhanced by a burn-hole at the beginning of the poem.