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  2. Mesa/Boogie - Wikipedia

    en.wikipedia.org/wiki/Mesa/Boogie

    Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.

  3. Fender Princeton - Wikipedia

    en.wikipedia.org/wiki/Fender_Princeton

    Fender Princetons (as well as their sister amp the Princeton Reverb) from the early models into the 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt ...

  4. Fender Princeton Reverb - Wikipedia

    en.wikipedia.org/wiki/Fender_Princeton_Reverb

    This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. [1] It was a completely different and significantly more powerful amplifier. [ 2 ] Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchable lead (overdrive) effect.

  5. Mesa/Boogie Mark Series - Wikipedia

    en.wikipedia.org/wiki/Mesa/Boogie_Mark_Series

    Mesa-Boogie "Mark IV", a guitar combo amplifier The Mesa/Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering (more commonly known as "Mesa/Boogie"). "). Originally just referred to as "Boogies", the product line took on the moniker "Mark Series" as newer revisions were put into produ

  6. Instrument amplifier - Wikipedia

    en.wikipedia.org/wiki/Instrument_amplifier

    As a result of improvements to PA and monitor systems, musicians in the 2000s no longer need huge, powerful amplifier systems. A small combo amplifier patched into the PA suffices. In the 2000s, virtually all sound reaching the audience in large venues comes from the PA system. Onstage instrument amplifiers are more likely to be at a low volume ...

  7. Ampeg SVT - Wikipedia

    en.wikipedia.org/wiki/Ampeg_SVT

    The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...

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