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Jan Luyken: the man without a wedding garment, Bowyer Bible. The Parable of the Great Banquet or the Wedding Feast or the Marriage of the King's Son is a parable told by Jesus in the New Testament, found in Matthew 22:1–14 [1] and Luke 14:15–24. [2] It is not to be confused with a different Parable of the Wedding Feast recorded in the ...
Jan Luiken made the engravings for the popular "sailor's bible" called "Lusthof des Gemoeds", by Jan Philipsz Schabaalje, 1714 Jan Luyken's print of the peat boat used as a ruse by the Dutch to gain possession of Breda from the Spanish in 1590. He was born and died in Amsterdam, where he learned engraving from his father Kaspar Luyken. [1]
It directly precedes the Parable of the Great Banquet in Luke 14:15–24. [1] [2] In the Gospel of Matthew, the parallel passage to the Gospel of Luke's Parable of the Great Banquet is also set as a wedding feast (Matthew 22:1–14). [3] In New Testament times, a wedding was a very sacred and joyous thing. Some even lasted up to or more than a ...
An abbreviated version of the parable appears in the non-canonical Gospel of Thomas (Saying 63) [19] with a longer version similar to Luke's in Papyrus Oxyrhynchus 5575. The parable has been depicted by artists such as Rembrandt (illustrated), Jan Luyken , James Tissot , and David Teniers the Younger .
Het Menselyk Bedryf ("The Book of Trades") is an emblem book of 100 engravings by Jan Luyken and his son Caspar published in 1694, illustrating various trades in Amsterdam during the Dutch Golden Age. The majority of the trades shown are from the textile industry (12), followed by marine pursuits (8).
Etching by Jan Luyken illustrating the parable, from the Bowyer Bible. The Parable of the Leaven , also called the parable of the yeast , is one of the shortest parables of Jesus . [ 1 ] It appears in Matthew 13:33 and Luke 13:20–21 , as well as in the non-canonical Gospel of Thomas ( logion 96 ).
The Parable of the Mustard Seed is one of the shorter parables of Jesus. It appears in Matthew ( 13 :31–32), Mark ( 4 :30–32), and Luke ( 13 :18–19). In the Gospels of Matthew and Luke, it is immediately followed by the Parable of the Leaven , which shares this parable's theme of the Kingdom of Heaven growing from small beginnings.
The "Parable of the Talents" has been depicted by artists such as Rembrandt, Jan Luyken, and Matthäus Merian. In literature, the Threepenny Novel (1934), by Bertolt Brecht (1895–1956), presents a social critique of the parable as an ideological tool of capitalist exploitation of the worker and of society.