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The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. Early on, the paintings typically depicted the Hudson River Valley and the surrounding area, including the Catskill , Adirondack , and White Mountains .
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
The following is a list of the seventy-one painters in the Hudson River School, a mid-19th-century American art movement.The movement was led by a group of landscape painters whose aesthetic vision was influenced by romanticism.
An 1837 portrait of Cole by fellow Hudson River School painter Asher Brown Durand. Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
Church was the product of the second generation of the Hudson River School, a movement in American landscape art founded by his teacher Thomas Cole. [6] Both Cole and Church were devout Protestants, and the latter's beliefs played a role in his paintings, especially his early canvases. [7]
Thomas Cole, c. 1844–1848. Thomas Cole is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century and was concerned with the realistic and detailed portrayal of nature but with a strong influence from Romanticism. [1]
Associated with the Hudson River School Thomas Doughty (July 19, 1793 – July 22, 1856) was an American artist associated with the Hudson River School . [ 1 ] [ 2 ] [ 3 ]
One of his best-known works, and one of the iconic images of Hudson River School art, is his Storm King on the Hudson (1866), now in the collection of the Smithsonian American Art Museum in Washington, DC. In the 1860s, Colman lived in Irvington, New York, where he made a number of paintings featuring the countryside around the village. [1]