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Art photography print types refers to the process and paper of how the photograph is printed and developed. C-Print / Chromogenic Print: A C-Print is the traditional way of printing using negatives or slides, an enlarger, and photographic paper—through a process of exposure and emulsive chemical layers. Chromogenic color prints are composed ...
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
The paper negative process consists of using a negative printed on paper (either photographically or digitally) to create the final print of a photograph, as opposed to using a modern negative on a film base of cellulose acetate. The plastic acetate negative (which is what modern films produce) enables the printing of a very sharp image ...
The chemistry of photography : from classical to digital technologies. Cambridge: RSC Publ. ISBN 978-0-85404-273-9. Weaver, G. (2008) A Guide to Fiber-Base Gelatin Silver Print Condition and Deterioration. George Eastman House, International Museum of Photography and Film. Wentzel, F. and L. W. Sipley (1960). Memoirs of a photochemist.
A gum bichromate by Robert Demachy. Gum bichromate, or gum dichromate as it is also known, is a photographic printing process invented in the early days of photography when, in 1839, Mungo Ponton discovered that dichromates are light sensitive.
The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
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An example of dodge & burn effects applied to a digital photograph. Dodging and burning are terms used in photography for a technique used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure.
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