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"Abou Ben Adhem" [1] is a poem written in 1834 [2] by the English critic, essayist and poet Leigh Hunt. It concerns a pious Middle Eastern sheikh who finds the 'love of God' to have blessed him. The poem has been praised for its non-stereotypical depiction of an Arab. Hunt claims through this poem that true worship manifests itself through the ...
Upon returning to Oxford after the war, Lyon won the Newdigate Prize in 1919 with his poem France, although he was better known for his peace poem, "Now to be Still and Rest". In 1919 he also had a number of poems accepted for publication in Oxford Poetry : "The Secret Playroom (Graudenz, 1918)", "The Song of Strength" and "The Deserted Garden".
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
Dane-geld" is a poem by British writer Rudyard Kipling (1865-1936). It relates to the unwisdom of paying " Danegeld ", or what is nowadays called blackmail and protection money . The most famous lines are "once you have paid him the Danegeld/ You never get rid of the Dane."
Aharoni's poems can be broadly divided into three categories: Peace, Love and Women. Often they overlap, and peace, abolishment of war, equality for women, and the power of women for peace are prominent in her poems. One of her most published peace poems is A Bridge of Peace, a message from an Israeli to a Palestinian woman. Robert Nissenson ...
The content of "The Thunder, Perfect Mind" (the title may alternately be translated "The Thunder, Perfect Intellect") takes the form of an extended, riddling monologue, in which an immanent divine saviour speaks a series of paradoxical statements alternating between first-person assertions of identity and direct address to the audience.
The Heresy of Paraphrase" is the name of the paradox where it is impossible to paraphrase a poem because paraphrasing a poem removes its form, which is an integral part of its meaning. Its name comes from a chapter by the same name in Cleanth Brooks 's book The Well-Wrought Urn .
The last line of the prepared address echoes the second and third lines of the poem. [2] [3] The same lines were also used in the lyrics of Pink Floyd's "The Gunner's Dream" (1983, on The Final Cut) [4] and Al Stewart's "Somewhere in England 1915" (2005, on A Beach Full of Shells). The poem is read in its entirety in films Oh!
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