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"The Wife of Bath's Tale" (Middle English: The Tale of the Wyf of Bathe) is among the best-known of Geoffrey Chaucer's Canterbury Tales. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer, himself, for the character is one of his most developed ones, with her Prologue twice as long as her ...
An earlier version of the story appears as "The Wyfe of Bayths Tale" ("The Wife of Bath's Tale") in Geoffrey Chaucer's The Canterbury Tales, [1] and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. [2]
The loathly lady (Welsh: dynes gas, Motif D732 in Stith Thompson's motif index), is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. [1] The motif is that of a woman who appears unattractive (ugly, loathly ) but undergoes a transformation upon being approached by a man in spite of ...
It is seen as an important source for efforts to reconstruct Chaucer's original text and intentions, though John M. Manly and Edith Rickert in their Text of the Canterbury Tales (1940) noted that whoever edited the manuscript probably made substantial revisions, tried to regularise spelling, and put the individual Tales into a smoothly running ...
It is an important source for Chaucer's text, and was possibly written by someone with access to an original authorial holograph, now lost. The Hengwrt Chaucer is part of a collection called the Peniarth Manuscripts which is included by UNESCO in its UK Memory of the World Register , a list of documentary heritage which holds cultural ...
The Wives of Bath is a novel by Susan Swan, inspired by her own childhood experiences at Havergal College in Toronto, Ontario, Canada. Plot introduction [ edit ]
Ruth B. Bottigheimer catalogued this and other disparities between the 1810 and 1812 versions of the Grimms' fairy tale collections in her book, Grimms' Bad Girls And Bold Boys: The Moral And Social Vision of the Tales. Of the "Rumplestiltskin" switch, she wrote, "although the motifs remain the same, motivations reverse, and the tale no longer ...
The loathly lady episode itself dates at least back to Geoffrey Chaucer's "Wife of Bath's Tale" from The Canterbury Tales. [3] Unlike most of the Child Ballads, but like the Arthurian "King Arthur and King Cornwall" and "The Boy and the Mantle", "The Marriage of Sir Gawain" is not a folk ballad but a song for professional minstrels. [4]