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When film negatives are used, one image will appear in the shadows of the other image. This occurs as a result of the shadow areas being less dense than the highlighted areas of a negative. The more underexposed the shadows, the more clearly the image from the other negative will shine through. The opposite occurs when using transparencies.
Interior reflectors can be white, silver or gold to alter the temperature of light. Baffling inserts are also available. A variation of this is a box, with one open end, made of diffusing material, to allow the photographing of a sample object with no shadows. It is also called light tent or photo cube. [8]
Sunlight is the type of light most damaging to photographic plates. However, indoor lighting and other forms of UV lighting all pose a threat to photographic plates, causing fading and yellowing. [15] Light is especially threatening to color photographic materials as it causes accelerated fading of the color dyes. [16]
Accurate timing of the light comes with experience, but only a little experimenting leads to positive results. The negative and the photographic paper are placed on the glass plate of the exposure box. A hinged top-cover presses the negatives in close contact with the paper and keeps them in place.
To make it, you will need a cardboard pizza box, foil, scissors, pen, tape and a sheet of white paper. First, detach the two sides of the box from each other. Screen Shot 2017 08 17 at 5.55.41 PM
Melis based his cereal box viewer design on NASA's. George Melis, a sophomore at Clarkstown South, shows the items needed to build a cereal box eclipse viewer at Cornell Cooperative Extension in ...
A positive image is a normal image. A negative image is a total inversion, in which light areas appear dark and vice versa. A negative color image is additionally color-reversed, [6] with red areas appearing cyan, greens appearing magenta, and blues appearing yellow, and vice versa.
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