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Shringara-manjari-katha is known from a fragmentary palm-leaf manuscript found at the Jaisalmer Jnana Bhandara (or Brihad-Jnana-Kosha), a Jain repository. [1] The manuscript is written in Devanagari script in black ink, and the characters indicate use of a reed pen.
Melakarta Ragas Janya ragas are Carnatic music ragas derived from the fundamental set of 72 ragas called Melakarta ragas, by the permutation and combination of the various ascending and descending notes. The process of deriving janya ragas from the parent melakartas is complex and leads to an open mathematical possibility of around thirty thousand ragas. Though limited by the necessity of the ...
Sucharitra scale with shadjam at C. It is the 1st rāgam in the 12th chakra Aditya.The mnemonic name is Aditya-Pa.The mnemonic phrase is sa ru gu mi pa dha na. [3] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
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Stavan is a form of popular and historically pervasive genre of devotional music in Jainism. [33] The subject of a Stavan varies, ranging from praise of Jina, Jain religious ideas and its philosophy, in a manner similar to Bhakti Bhajans. [33]
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MARK ULRIKSEN mysterious stranger who blows into town one day and makes the bad guys go away. He wore a grizzled beard and had thick, un-bound hair that cascaded halfway down his
These ballads are in 'manjari dwipada', containing lyrical prose, recited with great oratorical and rhetorical nuances. The team consists of four to six members. The main narrator, an assisting narrator, and at least two instrumentalists - one playing on a big drum called 'rana bheri' and the other on brass talas of a big size.