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Tests is an album by The Microphones. It was first released as a cassette tape on Knw-Yr-Own in 1998. A CD release by Elsinor followed in the same year, but the track listing was a mixture of The Microphones's three previous albums: Microphone, Wires and Cords, and the Tests cassette. Most of the material was recorded at The Business while ...
The song has a great melancholy bridge, offering a quick smoke break from the pulsing beats before signing off with a reggaeton finish, casting a clear picture of what a night out with Benito may ...
Mic Check is a phrase used by human microphones. It may also refer to: a soundcheck "Mic Check" (Hadouken! song), a song by Hadouken! "Mic Check" (Juelz Santana song), a song by Juelz Santana "Mic Check", a recording on the B-side of Imogen Heap's single "Headlock" "Mic Check", a song by the Italian rapper Noyz Narcos featuring Salmo
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
Best pregnancy-announcement troll in a pop song since “Papa Don’t Preach.” — A.B. Read more: Review: Taylor Swift finishes 'my beloved Eras tour' with the assurance of a pro
Neumann KU 100 microphone used to record binaural sound. Binaural recording is a method of recording sound that uses two microphones, arranged with the intent to create a 3D stereo sound sensation for the listener of actually being in the room with the performers or instruments.
Audio feedback from microphones occurs when a microphone is too near a monitor or main speaker and the sound reinforcement system amplifies itself. Audio feedback through a microphone is almost universally regarded as a negative phenomenon, many electric guitarists use guitar feedback as part of their performance. This type of feedback is ...
When using multiple microphones, respecting a 3-to-1 rule and placing microphones at least three times further from each other than they are from the source they are being used to pick up avoids cancellation and phase issues such as comb filtering when the microphone signals are mixed together. [11]
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