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2. Chord progression - Wikipedia

   en.wikipedia.org/wiki/Chord_progression

   In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in

3. Guitar chord - Wikipedia

   en.wikipedia.org/wiki/Guitar_chord

   The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.

4. List of chord progressions - Wikipedia

   en.wikipedia.org/wiki/List_of_chord_progressions

   The following is a list of commonly used chord progressions in music. Code Major: Major: ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services ...

5. Chord notation - Wikipedia

   en.wikipedia.org/wiki/Chord_notation

   Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis, these names and symbols are "universally used in jazz and popular music", [1] in lead sheets, fake books, and chord charts, to specify the chords that make up the chord progression of a song or other piece of music. A typical ...

6. List of chords - Wikipedia

   en.wikipedia.org/wiki/List_of_chords

   Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...

7. I–V–vi–IV progression - Wikipedia

   en.wikipedia.org/wiki/I–V–vi–IV_progression

   The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.