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Elements of art are stylistic features that are included within an art piece to help the artist communicate. [1] The seven most common elements include line, shape, texture, form, space, color and value, with the additions of mark making, and materiality.
Written by Naum "Gabo" Neemia Pevzner and cosigned by his brother, Antoine Pevsner, the Manifesto laid out their theories of artistic expression in the form of five "fundamental principles" of their constructivist practice. The Manifesto focused largely on divorcing art from such conventions as use of lines, color, volume, and mass.
Free design of the façade – separated exterior of the building is free from conventional structural restriction, allowing the façade to be unrestrained, lighter, more open [2] Horizontal window – ribboned windows run alongside the façade's length, lighting rooms equally, while increasing sense of space and seclusion.
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Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction", 1935; R. G. Collingwood, The Principles of Art, 1938; Monroe Beardsley, Aesthetics: Problems in the Philosophy of Criticism, 1958; George Kubler, The Shape of Time: Remarks on the History of Things, 1962; Nelson Goodman, Languages of Art: An Approach to a Theory of ...
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Collingwood is widely noted for The Idea of History (1946), which was collated from various sources soon after his death by a student, T. M. Knox.It came to be a major inspiration for philosophy of history in the English-speaking world and is extensively cited, leading to an ironic remark by commentator Louis Mink that Collingwood is coming to be "the best known neglected thinker of our time". [6]
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]