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One of the primary elements in house dancing is "the jack" or "jacking"—a style created in the early days of Chicago house that left its trace in numerous record titles such as "Time to Jack" by Chip E. from the "Jack Trax" EP (1985), "Jack’n the House" (1985) by Farley "Jackmaster" Funk (1985) or "Jack Your Body" by Steve "Silk" Hurley (1986).
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot.At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers.
Admission was five dollars and the club offered free juice and water to dancers. In the middle floor is where DJ Knuckles began to experiment with editing disco breaks on a reel-to-tape recorder. This mixing would soon become the beginnings of the house music genre. [5] The Warehouse became a hub for the people of Chicago, specifically black ...
After just two albums, Dacus was dismissed from Chicago in February 1980. [6] He was replaced by Chris Pinnick, who was initially credited as an additional contributor but later upgraded to a full band member. [1] After the release of Chicago XIV, the band was complemented on tour by Marty Grebb on saxophone, guitar and keyboards. [7]
Ron Hardy (May 8, 1958 – March 2, 1992) was an American, Chicago, Illinois-based DJ and record producer of early house music. He is well known for playing records at the Muzic Box, a Chicago house music club. Decades after his death, he is recognized for his innovative edits and mixes of disco, soul music, funk and early house music.
Whitburn, Joel (2004), Joel Whitburn's Hot Dance/Disco 1974-2003, Menomonee Falls, WI: Record Research, ISBN 0-89820-156-X, archived from the original on 2010-03-16; Some weeks may also be found at Billboard magazine courtesy of Google Books: 1975—1979
Vince was able to create a way for anybody to use loops to create new and improved house music. Vince when interviewed, expressed his hope that the tool set would help foster a new generation of house music makers and fans. He also expressed how he thought this would bring the house music genre out of the underground into the mainstream. [7] [17]
The award for Best Disco Recording was first given out at the 1980 Grammy Awards; however, this was the only year it was ever presented. Best Disco Recording '"I Will Survive"-Gloria Gaynor. Dino Fekaris & Freddie Perren (producers)