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"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993 by Warner Bros. Records. It peaked at number 29 on the US Billboard Hot 100 , but fared much better on the US Cash Box Top 100 , where it peaked at number 18.
The band performed a heartfelt version of the R.E.M. song “Everybody Hurts”, as well as debuting two unreleased compositions: the songs “Radio” and “At Your Side”, with lyrics by Sharon Corr, would eventually go on to be re-recorded and featured on their album In Blue, the following year.
This is a comprehensive list of songs recorded by the American alternative rock band R.E.M. that were officially released. The list includes songs performed by the entire band only (Berry, Buck, Mills and Stipe 1980 to 1997; Buck, Mills and Stipe 1998 to 2011).
Other singles charted higher overseas: "Everybody Hurts" charted in the top ten on the United Kingdom singles chart, Canada, and Australia. [ 37 ] A live, harder, version of "Drive" appears on the Alternative NRG , recorded at Athens' 40 Watt Club on November 19, 1992, during an invitation-only concert supporting Greenpeace Action.
"This track just really got hold of me — took hold of me,” recalls director Jake Scott, who at age 27 was still trying to make "that one video when you knock it out of the park."
"Driver 8" is the second single from American musical group R.E.M.'s third album, Fables of the Reconstruction, released in September 1985. The song peaked at number 22 on the U.S. Billboard Mainstream Rock Tracks chart.
Collapse into Now is the fifteenth and final studio album by American alternative rock band R.E.M., released on March 7, 2011, on Warner Bros. Produced by Jacknife Lee, who previously worked with the band on Accelerate (2008), the album was preceded by the singles "It Happened Today", "Mine Smell Like Honey", "Überlin" and "Oh My Heart".
The lyrics of "Strange Currencies" are among his most deceptively simple and potent yet, encapsulating all the need, hope and dread of a painful, secret crush". [9] Howard Hampton from Spin felt it's better than its "tearjerking predecessor", "Everybody Hurts", describing it as a "tremulous, pledging-my-soul" track.