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This list contains Germanic elements of the English language which have a close corresponding Latinate form. The correspondence is semantic—in most cases these words are not cognates, but in some cases they are doublets, i.e., ultimately derived from the same root, generally Proto-Indo-European, as in cow and beef, both ultimately from PIE *gʷōus.
Quite a few of these words can further trace their origins back to a Germanic source (usually Frankish [1]), making them cognate with many native English words from Old English, yielding etymological twins. Many of these are Franco-German words, or French words of Germanic origin. [2]
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Cognate set may refer to two entities: in music theory , a cognate set is a type of cyclic set in historical linguistics , a cognate set is a set of cognates , i.e. of words descended from the same etymon .
A Middle Irish cognate is given when the Old Irish form is unknown, and Gaulish, Cornish and/or Breton (modern) cognates may occasionally be given in place of or in addition to Welsh. For the Baltic languages, Lithuanian (modern) and Old Prussian cognates are given when possible. (Both Lithuanian and Old Prussian are included because Lithuanian ...
Many of the words in the list are Latin cognates. Because Spanish is a Romance language (which means it evolved from Latin), many of its words are either inherited from Latin or derive from Latin words. Although English is a Germanic language, it, too, incorporates thousands of Latinate words that are related to words in Spanish. [3]
Certain words may have shed their originally lower-status or humble associations to become default unmarked terms, thus replacing the literary Classical equivalents. Cf. the general loss of equus 'horse' in favour of caballus (originally 'workhorse') or that of domus 'house' in favour of casa (originally 'hut'). [3]
Before the 20th century popular songs frequently borrowed hymn tunes and other church music and substituted secular words. John Brown's Body, the marching song of the American Civil War, was based on the tune of an earlier camp-meeting and revival hymn, and was later fitted with the words "Mine eyes have seen the glory of the coming of the Lord", by Julia Ward Howe. [1]