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Siembra is the second of four collaborative duo albums produced by Rubén Blades and Willie Colón. During its time, it was the best-selling salsa record in history. [4] [5] It has sold over three million copies worldwide, [6] and almost all of its songs were hits at one time or another in various Latin American countries.
The song debuted in the Billboard Hot Latin Tracks chart at number 16 in the week of October 7, 1989, climbing to the top ten the following week. [8] " Fuiste un Trozo de Hielo en la Escarcha" peaked at number-one on November 4, 1989, on its fifth week, holding this position for one week, [9] replacing "Fría Como el Viento" by Luis Miguel.
Eduard von Grützner's depiction of Falstaff, a literary character well known for his joie de vivre.. Joie de vivre (/ ˌ ʒ w ɑː d ə ˈ v iː v (r ə)/ ZHWAH də VEEV (-rə), French: [ʒwa d(ə) vivʁ] ⓘ; "joy of living") is a French phrase often used in English to express a cheerful enjoyment of life, an exultation of spirit, and general happiness.
"Por Ese Hombre" (For That Man) is a song originally recorded by Argentine duo Pimpinela and Spanish singer Dyango for the former's fifth studio album, Lucía y Joaquín (1985). It was covered by American singer Brenda K. Starr and Puerto Rican-American singer-songwriters Tito Nieves and Víctor Manuelle , as the lead single for Starr's seventh ...
"Hijo de la Luna" (English: "Son of the Moon") is a song written by José María Cano performed originally by the Spanish band Mecano with lead singer Ana Torroja. It appeared on their 1986 album, Entre el cielo y el suelo , and had great success all over the Spanish-speaking world, as did the album.
Baní is a capital town of the Peravia Province, Dominican Republic.It is the commercial and manufacturing center in the southern region of Valdesia. The town is located 65 km south of the capital city Santo Domingo.
After restoring an old pipe organ in Nora, South Dakota, Mike Pedersen invited everyone in to sing carols. Now, it's the place to be at Christmas.
The term mezzo-soprano was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.