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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
The vase has a white ground and maintains in several parts the traces of bluish, greenish and reddish paint. It dates to the 4th century BC. In the same room is kept a small lekythos with a plastic decoration, depicting a winged dancer.
Within the restrictions of these techniques and other strong conventions, vase-painters achieved remarkable results, combining refinement and powerful expression. White ground technique allowed more freedom in depiction, but did not wear well and was mostly made for burial. [6] Interior of an Attic red-figure cup, about 450 BC
From colorful handprint turkey crafts to playful pumpkin decorations, these projects will have kids engaged and excited. Plus, they're simple enough for even the tiniest hands to handle, making ...
Tin-glazed pottery was taken up in the Netherlands from the 16th to the 18th centuries, the potters making household, decorative pieces and tiles in vast numbers, [51] usually with blue painting on a white ground. Dutch potters took tin-glazed pottery to the British Isles, where it was made between about 1550 and 1800.
Wedgwood devoted four years of painstaking attempts at duplicating the vase in black and white jasperware, which was finally completed in 1790, the figures perhaps modelled by William Hackwood. The replica was exhibited in London in that year, with the initial showing restricted to 1,900 tickets, which soon sold out.
Now, it’s a tradition they continue by placing the same treat in their children’s stockings. Small Gifts. Anna Efetova / Getty Images. Whether it’s shiny new jewelry, a deck of cards, or fun ...
Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301). Eye-cups usually feature a black-figure image on the ...
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