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On chart dated January 5, 1974, the album peaked at the summit of the Billboard 200, becoming Carpenters' first and only number one album on US. [7] The Singles: 1969–1973 has been certified 7× platinum in the US, becoming Carpenters' best selling album to date in the US. In the UK, the album reached number 1 for 17 non-consecutive weeks.
The album was released internationally, reaching #2 on the UK Albums Chart, but the declining popularity of the Carpenters in the U.S. prevented a release in that country. [ citation needed ] Track listing
The Singles: 1969–1981 is a compilation of the Carpenters' music released by Richard Carpenter in 2000. [2] The album contains all of the tracks from The Singles: 1969–1973. A SACD with the same name and artwork but different tracklisting and 5.1 mix was released in 2004. [3]
During their career, the duo scored 1 number one album and another 4 Top 10 albums on Billboard 200, 3 number ones singles, 12 top 10 singles and 20 top 40 hits on Billboard Hot 100. They have also been the third-best-selling international music act in the Japanese market, only behind Mariah Carey and the Beatles .
The Singles: 1969–1973; The Singles: 1969–1981; The Singles: 1974–1978; U. The Ultimate Collection (The Carpenters album) V. The Very Best of the Carpenters; Y.
The compilation was repackaged as a 2001 dutch Yesterday Once More: De Nederlandse Singles Collectie by replacing "Calling Occupants of Interplanetary Craft" with "Sweet, Sweet Smile" and placing it as track 6. [3] The cover art of the album replicates the 1992 Gold: Greatest Hits compilation album by ABBA.
The 'Minions: The Rise of Gru' soundtrack also features songs recorded by Diana Ross and Tame Impala, St. Vincent, Kali Uchis and more.
The Carpenters logo, originally designed for their self titled album. The Carpenters had a string of hit singles and albums through the early 1970s. Their 1971 song "For All We Know" was recorded the previous year by members of the pop group Bread for a wedding scene in the movie Lovers and Other Strangers. Richard saw the song's potential for ...