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At the same time, the leader does another quarter-left turn as necessary in order to follow the follower and face them. At the end of the move, the dancers have their positions exchanged. The cross-body lead can be done with single-hand or double hand hold, with or without a follower's underarm turn, or leading the follower to do a free spin.
Another name denoting the same move as a chaîné (i.e. les tours chaînés déboulés). Small, very quick half-turns performed by stepping onto one leg, and completing the turn by stepping onto the other, performed on the balls of the feet or high on the toes, with the legs held very close together.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology.
A toe jump that takes off from a back outside edge and lands on the back outside edge of the same foot toe jump Also toe-assisted jump. A general term to refer to any rotational jump that uses a toe pick assist; the three toe jumps that count as jump element s are the toe loop, the flip, and the Lutz [2] toe pick
Connections Game Answers for Wednesday, November 29, 2023: 1. FOOT PARTS: ARCH, BALL, SOLE, TOE 2. MUSICAL INSTRUMENTS: BASS, HARP, HORN, ORGAN 3. DOG COMMANDS: COME ...
A ballet dancer standing en pointe. Tiptoe (tiptoes or tippy toes) describes the human body posture and locomotion of removing the heel(s) of one or both feet from the ground. The term is mostly used colloquially when the weight is placed on the balls of the feet rather than literally on the tips of the toes; literal tip-toeing is difficult but possible, as in the pointe technique of ballet.
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The man steps forward on right foot while the lady steps backward on the opposing (i.e., left) foot. They will then step to the side (and possibly slightly forward, in relation to the man) on the other foot, and conclude the figure by closing the first foot beside the second.